Disorder (2021)
Direction and Choreography by Rebecca R. Levy
7 Dancers + guests
Music Written, Performed & Produced by Mark Snyder
Gloria (2021)
Choreography by Roberto Forleo
Rehearsal Direction by Kristen Sholes Sullivan
5 dancers
Great Stone (2020)
Choreography by Kristen Sholes Sullivan
8 Dancers
Music by Yo-Yo Ma
Commissioned in 2019 by Jacksonville Dance Theatre
Better (2019)
Choreography by Pioneer Winter in Collaboration with the Dancers
7 dancers
Commissioned in 2019 by Jacksonville Dance Theatre
Body (2019)
Choreography and Direction by Rebecca R. Levy in Collaboration with the Performers
Original Composition by Interdisciplinary Composer/Percussionist JoAnne C. Maffia
Sign Art Design and Construction by Mico Fuentes
8-9 dancers
This work was inspired by unsolicited feedback by audience members commenting on the appearance of the dancer bodies. As a response the artist created Body, an investigation through movement and sound the way that human bodies are formed, explored, exploited, experienced from within, and viewed from the outside.
She Was Here (2018)
Choreography by Tiffany S. Santeiro in Collaboration with the Dancers
Music by Jonah Pierre
7 dancers
Made possible in part by support from Jacksonville University’s College of Fine Arts, Division of Theatre and Dance. She Was Here was created as a way for the choreographer to uncover and explore how the women in her life suppressed, enabled, and enhanced the development of her true voice.
The Thing She Said – Make a Different Choice (2017)
Choreography by Rebecca R. Levy
Repetiteur, Tess Sturgeon
5 dancers
Stakes is High (2016)
Choreography by James Morrow
7 Dancers
Music by Escape Before the Rain “Love Remains”, Donny Hathaway and Roberta Flack “For All We Know”, Jungle “Lucky I Got What I Want”
Three tasks for 5 minutes each, once a day, 25 days (2016)
Choreography by Rebecca R. Levy
Music by Ezio Bosso “Thunders and Lightnings”
1 dancer
This solo was created as a part of JDT’s In Here commissions in 2016 asking choreographers to activate a new process of dance creation that they had never tried before. The artist decided to set daily tasks, one being to choreograph for 5 minutes every day for one complete month. The material that was set in those 5 minutes was kept and accumulated into a 25 day collection of dance moments, strung together in order. This solo is exactly that, unaltered.